December 27, 2019

by Kathy Janich

Excerpt: The Spelman Museum began the year with a small but splendid exhibition by Amy Sherald, whose career has soared since she painted Michelle Obama’s official portrait, and closed with Mildred Thompson: The Atlanta Years, 1986–2003, an equally fine, and perhaps more important, exploration of the artist’s multifaceted oeuvre. See more here.