Mondays, September 15 – December 1, 2014 12:00 p.m. – 1:00 p.m. Look closely at the works of art on view in Brides of Anansi: Fiber and Contemporary Art through the lens of balance, focus, and strength. Then connect...
For more than four decades Maren Hassinger, a sculptor, performance artist, and the Director of the Rinehart School of Sculpture at the Maryland Institute and College of Art, has created work that examines the tenuous relationship between nature and industrialism....
AFRICA Forecast explores how African fashion design has changed, evolved, and been practiced in an international arena. Including garments, textiles, photographs, videos, interior treatments, and furniture, this original exhibition, which is curated by Andrea Barnwell Brownlee, Ph.D. and Erika Dalya...
Xenobia Bailey, "Paradise Under Reconstruction in the Aesthetic of Funk: Re-Possessed," 2000–2014. Multimedia installation including single stitch crochet, 4 ply cotton and acrylic yarn, plastic pony beads, rhinestone, button, and cowry shells. Dimensions variable. Courtesy the artist. Photo by Ajith Gopinathan
Saya Woolfalk, "Aerial Display (Blossoming)," 2012. Mixed media installation, mannequins, fleece, wool, felt, plastic beads, plastic bones, feathers, abaca paper, glitter shoes, and spandex. 20 x 9 x 2 feet. Courtesy the artist
Adejoke Tugbiyele, “Water Go Find Enemy,” 2013
Perforated metal (drains), palm stems, copper wire, permanently colored brass wire
175 x 100 x 35cm
Maren Hassinger, “Wrenching News,” 2010.
Shredded, twisted, and wrapped newspapers (New York Times). Wall: 7′ x 7′ x 1′. Floor: 6′ x 6′ x 1′.
Courtesy the artist.
Buki Akib, Fella Collection, 2011
SPELMAN COLLEGE MUSEUM OF FINE ART in the Camille Olivia Hanks Cosby, Ed.D. Academic Center 350 Spelman Lane, Box 1526 | Atlanta, GA 30314 404.270.5607 | firstname.lastname@example.org